Vincent van Gogh: Sunflowers
A Brief Understanding of the Sunflower Paintings.
There are pieces of artwork drifting through galleries around the world that have become nearly synonymous with the artists name and techniques. The various
paintings of Sunflowers and Vincent van Gogh are a perfect example of this. Not only can one make a mental connection between the artists name and painting but also between the artist and their influence on the development of art through these paintings. Vincent van Gogh's Sunflower paintings have been duplicated many times by various artists (although never reaching the vivacity and intensity of Van Gogh's) and displayed everywhere; from households to art expos.
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Upon looking at these paintings one begins to notice aspects that seem to flow from one piece to another. The colors are vibrant and express emotions typically associated with the life of sunflowers: bright yellows of the full bloom to arid
browns of wilting and death; all of the stages woven through these polar opposites are presented. Perhaps this very technique is what draws one into the painting; the fulfillment of seeing all angles of the spectrum of life and in turn reaching a deeper understanding of how all living things are tied together.
There are many pieces within this series of paintings (each is clearly identifiable as a Van Gogh work) in which there are only minor differences that separate them. The overall layout of the painting along with positioning of the actual sunflowers usually remains the same in the similar paintings. Below you can see highlighted areas of difference between two similar sunflower paintings.
- 1. There are differences in petal structure on a few of the flowers. Located in bubble number one you can see how the second piece has more petal "bulk" and does not follow the sweeping "V" motion as is seen in the first piece.
- 2. The center "eye" of the flower contains different colors. In the first example the center is filled with a greenish yellow, while in the second piece the center is filled with black.
- 3. This is also the case for bubble number three. The leafy structure is yellow in the first piece and resides as light brown in the second piece.
- 4. The leaf located in bubble number four is nearly identical in both pieces; however in the first piece it is overlapped by the large drooping flower and is green in color. In the second piece there is a small but clear gap between the drooping flower and the leaf, and the leaf is black in color.
According to BBC.co.uk:
"These series of paintings were made possible by the innovations in manufactured pigments in the 19th Century. Without the vibrancy of the new colors, such as chrome yellow, Van Gogh may never have achieved the intensity of Sunflowers."
"These series of paintings were made possible by the innovations in manufactured pigments in the 19th Century. Without the vibrancy of the new colors, such as chrome yellow, Van Gogh may never have achieved the intensity of Sunflowers."
Feel free to click on any of the sunflower paintings on this page to receive an enlarged view. Below you can look around through various other information we have listed about sunflowers. Or download wallpapers, icons, and other things for you to use.
(http://www.vangoghgallery.com/painting/sunflowerindex.html)
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